Donau/Rauschen

Premiere of the film documentary by Reinhard Manz in Basel.

Stadtkino Basel (cinema), Switzerland

Unter dem Meer (premiere)

Opera Family play by Familie Flöz

Based on motifs from ’20 000 Leagues Under the Sea’ by Jules Verne, with music by Erik Satie and Daniel Ott

Composition – Daniel Ott
Production and masks – Familie Flöz,
Hajo Schüler
Stage – Simeon Meier
Costumes – Mascha Schubert

Maskplayers – Anna Kistel, Fabian Baumgarten, Mats Süthoff,
Saxophone – Alejandro Oliván López, Luis Homedes Lopez, Miguel Fernández, Philippe Körper, Marcus Weiss, Remo Schnyder
drums – Mikołaj Rytowski, Santiago Villar, Alexandre Ferreira Silva
Electric Guitar – Maurizio Grandinetti, Chris Moy
Sder Schaft, Julian Schmidlin

Theater Basel – Switzerland

Briesetal Fragmente (UA)

composition – Daniel Ott

trumpet – Paul Hübner

percussion – Rie Watanabe

Galeriechoir Schönow

Waldschule Briesetal, Schweiz

Schlossmediale Werdenberg

Schlossmediale Werdenberg
molto semplicemente for accordion (1989)

Werdenberg fragments for trumpet, steeldrums
and voices (2021/23) UA

Linden fragments for accordion (2022/23) UA

Seestück (2021) UA

Werdenberg Castle, Switzerland

molto semplicemente
frammenti per pieve
caina u.a.

Tour of Brasil and Bolivia with Hans Koch, saxophone and Christophe
Dufaux, accordion

Rio de Janeiro, Santa Cruz de la Sierra, Sucre, La Paz

Abréviations

Music theatre for two performers

Bettina Marugg
Eva Nievergelt

Alte Feuerwache Köln

As part of the KGNM – Cologne Society of New Music 

Bonn Art Centre

As part of the “theaterimballsaal” “Spiele ohne Grenzen” (games without borders) Festival

INBOUND ISO 1496

Machine music for 50 freight containers, washing machine orchestra and others

Rümlingen Festival

Klangkunstbühne

International master class with: Anna Viebrock,
Joan La Barbara, Calixto Bieito, Douglas Irving
Repetto, Jannis Kounellis, Ruedi Häusermann

KLANGSPUR 17/12

Mobile music für 200 instrumentalists, paternoster

For Landscapes in Görlitz/ Zgorzelic along the river Neisse

Anna Clementi, voice
Wu Wei, sheng
Olga Mishula, dulcimer
Co Streiff, saxophone
Hans Koch, saxophone
Peter Schärli, trumpet
Werner Hasler, trumpet
Michele Lomuto, trombone
Bettina Buchmann, accordion
Christophe Dufaux, accordion
Konstantinos Raptis, accordion
John Eckhardt, double bass
Jan Schlegel, electric bass
Sylvia Zytynska, percussion
Stephan Froleyks, percussion
Tomas Ondrusek, percussion
Zgorzelec Mandolin Orchestra
Görlitz Marching Band
Fröhlich Music School Accordion Orchestra
Landskron-Herolde
Youth Symphony Orchestra & Youth Wind Orchestra
& Big-Band of the Adam Hiller Music School
Markersdorf brass group
Bigband El. Turow

Thomas Kiemle, direction
Dorothée von Rosenberg Lipinsky, costume
Tobias Müller-Kopp, musical preparation

Dieter Schnebel: “körpersprache”
Daniel Ott: “klangsprache”

Museum for Communication, Berlin
As part of the “lange Nacht der Museen” (day of long museum opening times)

Performers: Students of the Berlin University of the Arts

Workshop
New Music Theatre

As part of the “Making new Waves” Festival

Franz Liszt Music Academy, Budapest

For Bunita Marcus
Morton Feldman

Concert as part of the “Making new Waves” Festival

Trafó, House of Contemporary Art, Budapest

Daniel Ott, piano

26/5 – 2/4

Concert installation for 4 harps, 6 percussionists,
2 accordions, 2 double basses, trumpet, saxophone,
Electric guitar and electric bass (world premiere of the new version)

Aircraft hall, Lucerne transport museum (Switzerland)

As part of the “musik & raum” congress

AMBARABA

Sound event for children’s choir
4 accordions and 2 percussionists (World Premiere)
Alte Seifenfabrik, Biel/Bienne (Switzerland)

Children’s choir of the Biel Music School
Conductor: Jean-Luc Gassmann

23|7.innen
24|7.hof

Open-air concert installation (World Premiere)

Freiburg im Breisgau in the courtyard of the old University
Fest der Innenhöfe

ensemble zampugn
Co Streiff, saxophone
Wu Wei, sheng
Olga Mischula, dulcimer
Bettina Buchmann, accordion
Christophe Dufaux, accordion
Jan Schlegel, electric bass
John Eckhardt, double bass
Christian Dierstein, percussion
Christian Gerber, accordion
Hans Koch, bass-clarinet
Rajesh Mehta, trumpet

soleils

New Music Festival

Festival Rümlingen (Switzerland)

with Dino Saluzzi, bandoneon
Lauren Newton, voice
Garth Knox, viola
Misato Mayumi, sho
Erwin Stache, instrument builder
Arpad Dobriban, culinary artist

beschleunigung. lokhalle.9/04

New work in the locomotive-hall for 23 musicians (ensemble zampugn) beschleunigungen (accelerations) (world premiere)

Göttingen
Festival Experiment Geschwindigkeit

ensemble zampugn and others.:
Co Streiff, saxophone
Rajesh Mehta, trumpet
Christophe Dufaux, accordion
Jan Schlegel, electric bass

John Cage: »il treno«

Music for a moving train – in collaboration with
the University of Arts Berlin & Deutsche Bahn

Göttingen
Festival Experiment Geschwindigkeit

Klangkunstbühne

International masterclass with: Peter Weitzner, Jurij A. Vasiljev,
Maria Elena Amos, Ruedi Häusermann, Vinko Globokar,
César Brie

ojota IV

Music theatre (2000) about shoes/steps/pathways

Münster i. Westfalen

Anna Clementi, voice
Francoise Rivalland, cymbalom
Chico Mello, guitar/clarinet
Michele Lomuto, trombone
Thomas Meixner, percussion
Christophe Dufaux, accordion
Andreas Edelblut, actor
Stephan Lohse, actor

ojota III

Music theatre about shoes, steps, pathways

Goethe-Institut, Rom
As part of the series “MUSICA EXPERIMENTO”

Anna Clementi, voice
Francoise Rivalland, santur
Chico Mello, guitar/clarinet
Michele Lomuto, trombone
Tomas Ondrusek, percussion

Music theatre for two voices (World Premiere)
Bettina Marugg & Eva Nievergelt, voice

Gare du Nord, Basel

Other events: 02, 04, 05, 10 & 12 of December

groundzero theatre, Baden

Théâtre La Fourmi, Luzern

Unter dem Meer (premiere)

Opera / Family opera work by Familie Flöz.

theater Basel, Switzerland

Abréviations

Music theatre for 2 Performers

Eva Nievergelt
Bettina Marugg

Institut Francais de Berlin

Hafenbecken I + II

Music for 68 instruments (World Premiere)

In the Kleinhüningen Harbour, Basel

Basel Sinfonietta
Jürg Henneberger, musical direction
Angela Zímmermann, costume
Michael Gööck, lighting design
Enrico Stolzenburg, direction

DER SCHLAG ANS HOFTOR

Chamber music, music theatre and more by Chaya Czernowin,
Silvia Ocougne, Ruedi Häusermann,
Jürg Kienberger, Jean-Luc Hervé,
Hans Wüthrich, Mischa Käser,
Erwin Stache, Walter Zimmermann, Rajesh Mehta and others.

Rümlingen Festival, Switzerland

Klangkunstbühne

International master class with: Lauren Newton, R. Murray Schafer,
Jürg Kienberger, Francoise Rivalland, Georges
Aperghis, Hugo Gretler, Philippe Gaulier,
Jurij A. Vasiljev

21/22/10

Promenade concert (World Premiere)

In the “Hamburger Bahnhof” – Museum of the Present, Berlin
as part of the Walter-Benjamin-Festival

Co Streiff, alto saxophone
Wu Wei Sheng, Chinese mouth organ
Jan Schlegel, electric bass
Christophe Dufaux, accordion
Peter Schärli, trumpet
Hans Koch, bass clarinet
Seth Josel, electric guitar
Christian Gerber, accordion
Anna Stark, violoncello
Sara Hubrich, viola
Mokkapan Phongphit, violin
Josa Gerhard, violin
Marco von Orelli, trumpet
Tomás Ondrusek, percussion
Dominik Dolega, percussion

hohles schleifen, helles aufschmettern

“Sound particle” for 1 mobile percussionist (World Premiere)

Academy of the Arts Berlin

As part of the Döblin Night
»oppositionell, wie ich einmal bin …«

Robyn Schulkowsky, percussionist

25/6

Music for 2 string instruments and window

“Artport” Gallery, Berlin

Josa Gerhard, violin
Benedikt Bindewald, viola

ojota l

“ojota l” (1997) for 1 percussionist and 5 pairs of shoes made of leather, wood & iron

Randspiele Zepernick

landschaft.29/7

Open-air sound-event to accompany the sunrise (World Premiere)

Hitzacker Summer Music

Enrico Stolzenburg, direction
Peter Schärli, trumpet
Hans Koch, saxophone
Adam Weisman, percussion
as well as brass players and marching bands from around the region

Nachtschicht

Open-air procession by 15 composers (World Premiere)

Rümlingen Festival

Performers: musikFABRIK – New Music Ensemble,
Brass bands from around the region

Klangkunstbühne

International master class with: Penelope Wehrli,
Lauren Newton, Fred Frith, Calixto Bieito,
Christiane Pohle and Ruedi Häusermannn

SÜDLICHE AUTOBAHN (premiere)

University of the Arts Berlin in cooperation
with HAU Berlin

A music theatre journey south of Berlin inspired by JULIO CORTÁZAR
(World Premiere)

SÜDLICHE AUTOBAHN (“SOUTHERN MOTORWAY”)

University of the Arts Berlin in collaboration with the HAU Berlin

A music theatre journey south of Berlin
inspired by JULIO CORTÁZAR
(new production)

30/1

for cor anglais, bass flute and percussion (World Premiere)

Ultraschall Festival Berlin

Sophiensaele

Cathy Milliken, oboe
Dietmar Wiesner, flute
Robyn Schulkowsky, percussion

BLICK RICHTUNG SÜDEN

Witten new chamber music festival

Enrico Stolzenburg, direction
Wolfram Kleiner, electronics
Ralf-Werner Kopp, trumpet
Brass group of the Folkwang University of Essen
Firebrigade Band
Neptun Canoo Club and others

Paulinenbrücke

Music Theatre (Premiere)

Stuttgart State Opera Zeitoper

Stefan Schreiber, musical direction
Daniel Ott, Xavier Zuber, direction
Gregor Scholz, set
Thomas Unthan, costume and set assistance
Bodo Gottschalk, lighting
Barbara Tacchini, Xavier Zuber, dramaturgs

Cast:
Michaela Schneider, Tereza Chynavova, Leandra Overmann/ Trine Oien, Tom Lane, Karl-Friedrich Dürr, Boris Burgstaller (Schauspiel Stuttgart)

and members of the Stuttgart State Orchestra

OJOTA IV b

Music theatre about STEPS | SHOES | PATHWAYS (first performance of a new version)

Vidmarhallen Großer Saal der NTG, Bern

Daniel Ott, direction

Ursula Maria Berzborn, set and costume
Ulrich Kerkmann, lighting
Caroline Scholz, vocal training

Performers:
Elena Kakaliagou, Anja Füsti, Megumi Tabuchi,
Eva Burghardt, Lisa Seidel-Kukuk, Virginia Arancio,
Elisabeth de Merode, Julien Paillard, Pascal Viglino,
Tom Lane, Lefteris Veniadis, Andreas Edelblut,
Stephan Lohse

Klangkunstbühne

International master class with: Candice Breitz, César Brie,
Philippe Gaulier, Christina Kubisch, Michael Lentz,
Josef Anton Riedl and Jurij A. Vasiljev

VOR DEM TAG

Collective composition by Lukas Berchtold, Helmut Lemke, Urban Mäder, Daniel Ott, Kirsten Reese, Enrico Stolzenburg (World Premiere)

Festival Rümlingen

For landscape, actor and singer/speaker, loudspeaker and loudspeaker controllers, light-sources and light-controller, wind games and wind player, bull-roarer and “Geisslechlöpfer” (Swiss whip-instrument), “Treichler” and bicycles, alp-horns and accordions, bass clarinet and baritone saxophone, trumpets and trombones.

beschleunigung. lokhalle 9/04

Spatial composition for the Göttingen locomotive hall for 23 mobile musicians (2nd performance)

Linien – ein Festival für Neue Musik

Co Streiff, saxophone
Christophe Dufaux, accordion
Jan Schlegel, bass
Ensemble of Swiss, Berlin und Göttingen musicians

fragment für carona. mit einem gruss an mina

for clarinet, bass clarinet, percussion, electric piano

La Via Lattea 7, Carona (Ticino, CH)

Ensemble Babel, Direction: Olivier Cuendet

mittenDrin

Collective Composition with Kirsten Reese, Erwin Stache, Zoro Babel und Enrico Stolzenburg (World Premiere)

Eisenach and surrounding area

QUERSTRÖMUNG
sound performance for a landscape of the Ruhr with waterfall, 5 percussionists,
2 electric guitars and audio tape (World Premiere)

Daniel Ott, composition and musical directory
Enrico Stolzenburg, direction
Wolfram Kleiner, sound and electronics
Christian Dierstein, Brian Archinal, Miguel Martin, Victor Suarez, Yuriko Sekiguchi, percussionists
Silvia Ocougne, Seth Josel, electric guitars

QUERFORMAT
spacial composition for an oil painting of the landscape of the Ruhr, bass clarinet,
baritone saxophone and audio tape (World Premiere)

Daniel Ott, composition and musical directory
Enrico Stolzenburg, direction
Wolfram Kleiner, sound and electronics

Marcus Weiss, baritone saxophone

Ernesto Molinai, bass clarinet

Wittener Tage für neue Kammermusik (Witten New Chamber Music Festival)

I RACONTI DEL LUCERNARIO

participation as musician
Nunzia Tirelli, direction

Villa Argentina Mendrisio (CH)

DRINNEN VOR ORT

4 landscapes, 4 seasons, 4 sound imaginations

Festival Rümlingen

KLANGKUNSTBÜHNE

international master classes with:

Hans Wüthrich, LIGNA, Constanza Marcas, Bernhard Leitner, Muriel Gerstner and Douglas Irving Repetto

QUERSTRÖMUNG 2 (premiere)

for percussion and audio tape

Christian Dierstein, percussion

Gare du Nord, Basel

QUERSTRÖMUNG 2

for percussion and audio tape

Christian Dierstein, percussion

Konversatorium Bern (CH), Großer Saal

QUERSTRÖMUNG 2

for percussion and audio tape

Christian Dierstein, percussion

Kulturhaus Helferei, Zürich (CH)

FOUNTAIN 16/6

for fontaines, percussion and loudspeaker (UA)

Dörte Siefert, Mai Phuong Tran, Christoph Baathe, Marco Lambertz, percussion
Matthias Meyer, Marcus Thomas, sounddesign
Julia Hundt,  Leila Semaan, Franziska Riedmiller, sound-assistenz
Wolfgang Mayer, transports

Founded by Pro Helvetia.

in cooperation with the institute for musik and musicology of the university Hildesheim

KunstFestSpiele Herrenhausen, Hannover

30/1

Spacial installation for Sophiensaele with bass flute, English horn and percussion

Dietmar Wiesner, bass flute
Cathy Milliken, English horn
Robyn Schulkowsky, percussion

Sabine Hilscher, stage design

Judith Klapper, video

Founded by inm. Initiative Neue Musik e.V., Pro Helvatia and Schering Stiftung.

Many thanks to Neuköllner Oper, Radialsystem V, Rundfunkchor Berlin.

Sophiensaele, Berlin

9/5

room-composition for akkordion, e-guitar, percussion, 4 voices, 3 Paetzold-flutes and  4 strings

NUMEN, Cathédrale Lausan

QUERSTRÖMUNG 2

for percussion and audio tape

Christian Dierstein, percussion

Festspielhaus Baden-Baden in Museum Frieder Burda

QUERSTRÖMUNG 2

for percussion and audio tape

Christian Dierstein, percussion

Berliner Festpiele | MaerzMusik 2013, Radialsystem V

QUERSTRÖMUNG 2

for percussion and audio tape

Christian Dierstein, percussion

museum schloss moyland

9/5
room-composition for akkordion, e-guitar, percussion, 4 voices, 3 Paetzold-flutes and  4 strings

NUMEN, Jesuitenkirche Luzern

9/5

room-composition for akkordion, e-guitar, percussion, 4 voices, 3 Paetzold-flutes and  4 strings

NUMEN, Leonhardskirche Basel

9/5

room-composition for akkordion, e-guitar, percussion, 4 voices, 3 Paetzold-flutes and  4 strings

NUMEN, Münster in Bern

Ton & Tal

Valli & Intervalli

Wie klingt die Schweiz? Eine Expedition.

Ensemble Ton&Tal:
Shirley Anne Hofmann (Euphonium, Trompete, Akkordeon), Co Streiff (Altsaxophon), Hans Koch (Sopransaxophon, Bassklarinette), Peter Schärli (Trompete), Balthasar Streiff (Trompete, Alphorn, Büchel), Samuel Stoll (Horn, Alphorn, Büchel), Stephen Menotti (Posaune), Hans Hassler (Akkordeon, Klarinette), Christophe Dufaux (Akkordeon), Marcel Oetiker (Schwyzerörgeli), Christoph Brunner (Schlagzeug), Christian Dierstein (Schlagzeug), Benjamin Brodbeck (Schlagzeug)

Komponist/innen:
Annette Schmucki, Urban Mäder & Daniel Ott (ganze Tour) – Mario Pagliarani (Chiasso), Michael Riessler (Altdorf) & Jonas Kocher (Wasen i.E.) – sowie Ruedi Häusermann, Heinz Holliger, Andreas Schett, François Sarhan, Wael Sami Elkholy, Benjamin Brodbeck & Siegfried Friedrich (Musik für eine Jahrmarktorgel)

Festival Rümlingen – Airolo – Altdorf *Alpentöne* – Luzern – Alpnach – Schüpfheim – Wasen i.E. – Langenthal – Rümlingen – Augst

Isolde

a piece of Richard Maxwell (UA)

direction: Richard Maxwell, music: Daniel Ott, stage design: Sascha von Riel, costume design: Romy Springsguth, dramaturgy: Stephanie Gräve

Theater Basel

9/5

room-composition for akkordion, e-guitar, percussion, 4 voices, 3 Paetzold-flutes and  4 strings

NUMEN, Grossmünster Zürich

6/7 – gare du sud

ensemble kontur basel

Remo Schnyder, Saxophon | Karoline Öhmann, Cello | José Navarro, E-Gitarre

Mit Werken von Alex Buess, Thomas Lauk, Daniel Ott und Rico Gubler und Texten von Ruth Schweikert, Jürgen Theobaldy und Guy Krneta

IGNM Basel – Gare Du Nord, Basel

6/7 – gare du sud

ensemble kontur basel

Remo Schnyder, saxophone | Karoline Öhmann, cello | José Navarro, electric guitar

Kontrapunkt |Seven musicl and literary commentaries on current events

Dampfzentrale Bern

1/6 – wasserturm I – III

for woodblocks und brassinstruments (UA)

Singuhr-projects

PULSE-AUSSEN:stadtmusik, Wasserturmquartier, Berlin

6/7 – gare du sud

ensemble kontur basel

Remo Schnyder, saxophone | Karoline Öhmann, cello | José Navarro, electric guitar

Kontrapunkt | Seven musicl and literary commentaries on current events

Palazzo Liestal

Metabolic Office Battle (MOB)

with Manos Tsangaris and Daniel Ott

Schwindel der WIrklichkeit

Akademie der Künste Berlin, Hanseatenweg 10

ojota 1 (New version)

for 5 pairs of shoes (1997/2014)

Christian Dierstein, percussion

zwielicht.stromaufwärts for Ado Müller

Festival Rümlingen 2014

hohles schleifen, helles aufschmettern

Robyn Schulkowsky, drums and percussion | Joey Baron, drums and percussion | Christian Tschuggnall (Guest), drums und percussion

KONTRAKLANG

Heimathafen Neukölln, Berlin

QUERSTRÖMUNG 2

for percussion and audio tape

Christian Dierstein, percussion

Künstlerhaus Boswil (CH), Alte Kirche

20/5 fragmentos

for trumpet and steeldrums

Robyn Schulkowsky,  steeldrums | Reinhold Friedrich, trumpet

TonalÁtonal 4/2015

Auditorium Altena, Goethe-Institut Mexiko, Mexico D.F.

20/5 fragmentos

Auditorum INDEX, Museo Universitario Arte Contemporanéo, Mexico D.F.

24/5 Sonnenuntergang (premiere)

landscape composition

for trumpet, hunting horn and wind section

Ralf-Werner Kopp, trumpet |  Svenja Trosin, horn
members of the hunting horn wind section Hercynia and the trumbone choir Quedlinburg

Gondelteich Friedrichsbrunn/ Thale (Harz)

6/7 – gare du sud

ensemble kontur basel

Remo Schnyder, Saxophon | Karoline Öhmann, Cello | José Navarro, E-Gitarre

Kontrapunkt | 7 musikalische und literarische Kommentare zum Zeitgeschehen

Musikpodium Zürich

Phantom Synchron – Soundtrack Weimar

musicians and associations and groups from Weimar and around

Daniel Ott, Sebastian Quack, Kirsten Reese, Enrico Stolzenburg

Kunstfest Weimar

Inner City of Weimar

Kreise ziehen – Kanons aus sieben Jahrhunderten  

musicians and associations and groups from Weimar and around

Daniel Ott, Sebastian Quack, Kirsten Reese, Enrico Stolzenburg

Kunstfest Weimar

Inner City of Weimar

STADT.LAND.TRAM

landscape composition for a frontier

Daniel Ott,composition | Thomas Peter, electronics | Enrico Stolzenburg, direction

Contrapunkt Chor, students of the Musikhochschulen FHNW Hochschule für Musik Basel

ZEITRÄUME BASEL bIennale for new music and architecture 2015

Meeting point: Zoo Basel, main entrance, admission 5.00 – 5.15 h

KlangKunstBühne

Workshops with Alvin Curran, Gob Squad, Gintersdorf/Klaßen, Clemens Sienknecht und Ursula Biemann. Lectures with Josephine Ann Endicott, Rabih Mroué and about Vivienne Newport.
University of Arts Berlin

9/5-6/3 (premiere)

composition for space

Ensemble Improcontra | Yvonne Troxler, piano | Egidius Streiff, violine | Sylwia Zytynska, percussion

musicschool northsouth Luzern

9/5-6/3

composition for space

Ensemble Improcontra | Yvonne Troxler, piano | Egidius Streiff, violine | Sylwia Zytynska, percussion

music akademie basel

9/5-6/3

composition for space

Ensemble Improcontra | Yvonne Troxler, piano | Egidius Streiff, violine | Sylwia Zytynska, percussion

new york symphony space

OmU

munich biennale – festival of new music theatre works

artistic direction: Daniel Ott and Manos Tsangaris

munich

zampugn

for 4 players (1987)

festival rümlingen 2016

church Rümlingen

Sampuogn-Schlag 9 (premiere) landscape composition

with singers from different regional choirs, the Treichler of the Greiflervereinigung Ingenbohl-Brunnen and students of the Hochschule für Musik Basel (percussion-class of Christian Dierstein)

Daniel Ott / Enrico Stolzenburg (2016)

festival rümlingen 2016

at the hillside with a view towards Kilchberg

Le Rocher du Bock. Fortress Europe. A panorama.

Until 1867, the fortress of Luxembourg was the “Gibraltar of the North”. Daniel Ott, Enrico Stolzenburg and hundreds of young UGDA musicians are transforming the Bockfelsen into a sounding panorama in the festival rainy days, a symbol of this powerful Europe, whose coast is currently struggling for hundreds of thousands, seeking refuge or dying on its way there. The audience is in the court of the Neumünster Abbey, wind orchestral ensemble surrounds the Bockfelsen, the Petrusse becomes a sea, a tumultuous sound contrasts with small movements and sound actions from the casemates, from the top, from the gardens, from the river. Numerous drummers bring the local materials to the sound, loudspeakers open up an association area of ​​demonstrations in Germany, Greece, Ceuta and Melilla over police suits, muezzin calls and water noises up to Article 14 of the Universal Declaration of Human Rights in Morse Code: “Everyone has the right to To seek asylum in other countries before persecution. ” What is Europe today? An “island of the blessed” or a rescue boat?

landscape composition

Daniel Ott / Enrico Stolzenburg.

Le Rocher du Bock, Luxemburg

Ausflug ins Gebirge

music for a space

Daniel Ott / Manos Tsangaris

Collegium Novum Zürich
Kantorei Niederurnen (musical production: David Kobelt)
Berat Aliji, Arjan Arifi, Muhamed Tashi | torklift truck

Niederurnen

Stadthaus I-III, aussen statt innen (premiere)

concept and composing: Daniel Ott

concept, direction, electronics: Enrico Stolzenburg

Musikkollegium Winterthur, direction Thomas Zehetmair

With Stadtmusik Winterthur (direction Fredi Olbrecht), Musikschule Prova, Konservatorium Winterthur and Jugendmusikschule Winterthur and neighbourhood

Winterthur

Mittelland ist abgebrannt  – eine West-Ost-Passage (UA)  

landscape compostion

composing: Daniel Ott

direction: Enrico Stolzenburg
dramatic adviser: Malte Ubenauf

Niedersächsischen Musiktage

Mittellandkanal

PRIVATE MATTER

munich biennale – festival of new music theater

artistic direction: Daniel Ott and Manos Tsangaris

munich

FESTIVAL RÜMLINGEN

In Szene – 7 landscape operas

With premiers of: Peter Ablinger, Mauro Hertig, Ruedi Häusermann (SE), Clara Iannotta, Mischa Käser, Barblina Meierhans and Manos Tsangaris.

Rümlingen

DIE SIEBEN LEBEN DES MAXIMILIAN

Festival for actuell musiktheater at seven places

Artistic direction: Daniel Ott, Manos Tsangaris

From Lienz in Osttirol over Stams, Schwaz, Hall, Landeck, Altfinstermünz to  Insbruck.

FIN AL CUNFIN (UA)

Concept and composing: Daniel Ott
Direction, concept, electronics: Enrico Stolzenburg
Texts: Der Ewige Landfriede, Glurnser Lied, Konrad Celtis
Conduction and musical rehearsing : Daniel Waldegger, Duri Janett, Maria Pardeller, Cla Duri Janett-Vital, Pasquale Bonfitto, Katharina Mayer, Jon Flurin Kienz, Remo Schnyder

With: Ils Fränzlis da Tschlin, Musikkapelle Nauders, Società da Musica Tschlin, Cor masdà Tschlin, Società da Musica Ramosch, Cor masdà Valsot, Chor Nauders / Reschen, Freiwillige Feuerwehr Nauders, Oberländer Landsturm Silz, Bergrettung Nauders, Jungkrampusse Nauders, Jägerschaft Nauders

Alwin Chemelli (Banner)

Altfinstermünz

as part of DIE SIEBEN LEBEN DES MAXIMILIAN

KAMMEN (UA)

Composition, concept: Daniel Ott

Trondheim

CHAVORGIA (UA)

for clarinet, accordion and brass instruments

With: Musikkapelle Nauders, Società da Musica Ramosch, Musica Condordia Ardez, clarinet: Domenic Janett, accordion: Hans Hassler

FESTIVAL NEUE MUSIK RÜMLINGEN

FESTIVAL NEUE MUSIK RÜMLINGEN

A L’UR DA L’EN “INNLAND-AUsLAND”

“Echo” in the church of Rümlingen

AUSSEN STADT INNEN RÄUME (UA)

concept and composing: Daniel Ott, direction: Enrico Stolzenburg

Sinfonieorchester Münster, Musikhochschule Münster and Westfälische Schule für Musik

In the context of 100 years of Sinfonieorchester Münster

REPOSITORY OF HEARING: ECHO, MOUNTAINS; GROTTOS

Daniel Ott: Fin al Cunfin (Auszüge, 2019, DE)
Saxophone: Remo Schnyder

Talk, moderator: Julia Gerlach, in English language

Akademie der Künste Berlin

16/1 – Sound action for the stalactite machine

Based on the sound and rhythm of the falling drops of Bogomir Ecker’s stalactite machine in the Hamburger Kunsthalle, Daniel Ott develops musical interventions into an imaginary musical “stalactite machine” in which the passage of time is made tangible.

Jonathan Shapiro (drums)

Commissioned by the Hamburger Kunsthalle and supported by Pro Helvetia

Hamburger Kunsthalle – FUTURA

6/2 – Sound action for the stalactite machine

Based on the sound and rhythm of the falling drops of Bogomir Ecker’s stalactite machine in the Hamburger Kunsthalle, Daniel Ott develops musical interventions into an imaginary musical “stalactite machine” in which the passage of time is made tangible.

John Eckhard (double bass)

Commissioned by the Hamburger Kunsthalle and supported by Pro Helvetia

Hamburger Kunsthalle – FUTURA

27/2 – Sound action for the stalactite machine

Based on the sound and rhythm of the falling drops of Bogomir Ecker’s stalactite machine in the Hamburger Kunsthalle, Daniel Ott develops musical interventions into an imaginary musical “stalactite machine” in which the passage of time is made tangible.

Jana de Troyer (saxophon)

Commissioned by the Hamburger Kunsthalle and supported by Pro Helvetia

Hamburger Kunsthalle – FUTURA

27/3 – Sound action for the stalactite machine

Based on the sound and rhythm of the falling drops of Bogomir Ecker’s stalactite machine in the Hamburger Kunsthalle, Daniel Ott develops musical interventions into an imaginary musical “stalactite machine” in which the passage of time is made tangible.

Thilo Ruck (e-guitar)

Commissioned by the Hamburger Kunsthalle and supported by Pro Helvetia

Hamburger Kunsthalle – FUTURA

10/4 – Sound action for the stalactite machine

Based on the sound and rhythm of the falling drops of Bogomir Ecker’s Dripstone Machine in the Hamburger Kunsthalle, Daniel Ott develops various sound actions. For the duration of the exhibition, short interventions by various instruments (drums, double bass, saxophone, electric guitar) will be heard on various Sundays at 10:30 a.m., which on the last day of the exhibition will condense into an imaginary musical “stalactite machine” in which the passing of time over a longer period of time can be experienced.

Jana de Troyer (saxophon) / Jonathan Shapiro (drums) / Thilo Ruck (e-guitar) / Moritz Baerens (double bass)

Commissioned by the Hamburger Kunsthalle and supported by Pro Helvetia

Hamburger Kunsthalle – FUTURA

Schwesternpark Fragmente (UA)

schwesternparkmusik

Permeable intervention for trumpet, steel drums, voices ad libitum

Wittener Tage für Neue Kammermusik

Pferdebachstraße, Schwesternpark, Witten

Berlin westhafen – umschlagplatz klang (UA)

hafenbecken I+II

Composition and artistic direction: Daniel Ott; Direction: Enrico Stolzenburg; musical direction: Jonathan Stockhammerl; musicians from KNM Berlin, Ensemble Kaleidoskop, Ensemble LUX:NM, Ensemble Mosaik, Sonar Quartet, ZAFRAAN Ensemble, Ensemble Adapter and guests.

A production of KULTURKONTAKTE e.V., production management: kultkom

Supported by the Hauptstadtkulturfonds Berlin, Pro Helvetia and inm berlin in cooperation with BEHALA.

Westhafen Berlin

Zusammen Fluss (UA)

Daniel Ott / Enrico Stolzenburg
Permanent installation – Acoustic sculpture

A production of the Donaueschinger Musiktage 2022

Donaueschingen | Donausprung