6/7 gare du sud (2014/20)
version 2020, for bass clarinet, harp, violin & violoncello
staged by: Ensemble Proton
Musikfestival Bern, Switzerland
6/7 gare du sud (2014/20)
version 2020, for bass clarinet, harp, violin & violoncello
staged by: Ensemble Proton
Musikfestival Bern, Switzerland
“Unter Wolberg” sound action at sunrise
Urban Mäder, Enrico Stolzenburg, Daniel Ott (collective composition)
meeting point: 5 am at Schulhaus Oltingen
Performers: Julian Schmidlin, countertenor; Rebecca Minten, bass clarinet; Alexander Prill & Marc Baltrons, saxophone; André Meier, trumpet; Adrian Albaladejo, trombone; Jeanne Larrouturou, Mila Comel, Pablo Mena Escudero, Alejandro Neves Sarriegui & Daniel Laposi, percussion; Ensemble ad libitum; Ensemble ImproNext; Women’s choir L’Heure Du Choer & singers from Oltingen
Conductor: Barbara Frey
Festival Neue Musik Rümlingen, Oltingen, Switzerland
On the Way
Munich Biennale for new music theater 2024.
Munich Biennale 2024, Germany
Donau/Rauschen
Premiere of the film documentary by Reinhard Manz in Basel.
Stadtkino Basel (cinema), Switzerland
Unter dem Meer (premiere)
Opera Family play by Familie Flöz
Based on motifs from ’20 000 Leagues Under the Sea’ by Jules Verne, with music by Erik Satie and Daniel Ott
Composition – Daniel Ott
Production and masks – Familie Flöz,
Hajo Schüler
Stage – Simeon Meier
Costumes – Mascha Schubert
Maskplayers – Anna Kistel, Fabian Baumgarten, Mats Süthoff,
Saxophone – Alejandro Oliván López, Luis Homedes Lopez, Miguel Fernández, Philippe Körper, Marcus Weiss, Remo Schnyder
drums – Mikołaj Rytowski, Santiago Villar, Alexandre Ferreira Silva
Electric Guitar – Maurizio Grandinetti, Chris Moy
Sder Schaft, Julian Schmidlin
Theater Basel – Switzerland
Briesetal Fragmente (UA)
composition – Daniel Ott
trumpet – Paul Hübner
percussion – Rie Watanabe
Galeriechoir Schönow
Waldschule Briesetal, Schweiz
Schlossmediale Werdenberg
Schlossmediale Werdenberg
molto semplicemente for accordion (1989)
Werdenberg fragments for trumpet, steeldrums
and voices (2021/23) UA
Linden fragments for accordion (2022/23) UA
Seestück (2021) UA
Werdenberg Castle, Switzerland
molto semplicemente
frammenti per pieve
caina u.a.
Tour of Brasil and Bolivia with Hans Koch, saxophone and Christophe
Dufaux, accordion
Rio de Janeiro, Santa Cruz de la Sierra, Sucre, La Paz
Abréviations
Music theatre for two performers
Bettina Marugg
Eva Nievergelt
Alte Feuerwache Köln
As part of the KGNM – Cologne Society of New Music
Bonn Art Centre
As part of the “theaterimballsaal” “Spiele ohne Grenzen” (games without borders) Festival
INBOUND ISO 1496
Machine music for 50 freight containers, washing machine orchestra and others
Rümlingen Festival
Klangkunstbühne
International master class with: Anna Viebrock,
Joan La Barbara, Calixto Bieito, Douglas Irving
Repetto, Jannis Kounellis, Ruedi Häusermann
KLANGSPUR 17/12
Mobile music für 200 instrumentalists, paternoster
For Landscapes in Görlitz/ Zgorzelic along the river Neisse
Anna Clementi, voice
Wu Wei, sheng
Olga Mishula, dulcimer
Co Streiff, saxophone
Hans Koch, saxophone
Peter Schärli, trumpet
Werner Hasler, trumpet
Michele Lomuto, trombone
Bettina Buchmann, accordion
Christophe Dufaux, accordion
Konstantinos Raptis, accordion
John Eckhardt, double bass
Jan Schlegel, electric bass
Sylvia Zytynska, percussion
Stephan Froleyks, percussion
Tomas Ondrusek, percussion
Zgorzelec Mandolin Orchestra
Görlitz Marching Band
Fröhlich Music School Accordion Orchestra
Landskron-Herolde
Youth Symphony Orchestra & Youth Wind Orchestra
& Big-Band of the Adam Hiller Music School
Markersdorf brass group
Bigband El. Turow
Thomas Kiemle, direction
Dorothée von Rosenberg Lipinsky, costume
Tobias Müller-Kopp, musical preparation
Dieter Schnebel: “körpersprache”
Daniel Ott: “klangsprache”
Museum for Communication, Berlin
As part of the “lange Nacht der Museen” (day of long museum opening times)
Performers: Students of the Berlin University of the Arts
Workshop
New Music Theatre
As part of the “Making new Waves” Festival
Franz Liszt Music Academy, Budapest
For Bunita Marcus
Morton Feldman
Concert as part of the “Making new Waves” Festival
Trafó, House of Contemporary Art, Budapest
Daniel Ott, piano
26/5 – 2/4
Concert installation for 4 harps, 6 percussionists,
2 accordions, 2 double basses, trumpet, saxophone,
Electric guitar and electric bass (world premiere of the new version)
Aircraft hall, Lucerne transport museum (Switzerland)
As part of the “musik & raum” congress
AMBARABA
Sound event for children’s choir
4 accordions and 2 percussionists (World Premiere)
Alte Seifenfabrik, Biel/Bienne (Switzerland)
Children’s choir of the Biel Music School
Conductor: Jean-Luc Gassmann
23|7.innen
24|7.hof
Open-air concert installation (World Premiere)
Freiburg im Breisgau in the courtyard of the old University
Fest der Innenhöfe
ensemble zampugn
Co Streiff, saxophone
Wu Wei, sheng
Olga Mischula, dulcimer
Bettina Buchmann, accordion
Christophe Dufaux, accordion
Jan Schlegel, electric bass
John Eckhardt, double bass
Christian Dierstein, percussion
Christian Gerber, accordion
Hans Koch, bass-clarinet
Rajesh Mehta, trumpet
soleils
New Music Festival
Festival Rümlingen (Switzerland)
with Dino Saluzzi, bandoneon
Lauren Newton, voice
Garth Knox, viola
Misato Mayumi, sho
Erwin Stache, instrument builder
Arpad Dobriban, culinary artist
beschleunigung. lokhalle.9/04
New work in the locomotive-hall for 23 musicians (ensemble zampugn) beschleunigungen (accelerations) (world premiere)
Göttingen
Festival Experiment Geschwindigkeit
ensemble zampugn and others.:
Co Streiff, saxophone
Rajesh Mehta, trumpet
Christophe Dufaux, accordion
Jan Schlegel, electric bass
John Cage: »il treno«
Music for a moving train – in collaboration with
the University of Arts Berlin & Deutsche Bahn
Göttingen
Festival Experiment Geschwindigkeit
Klangkunstbühne
International masterclass with: Peter Weitzner, Jurij A. Vasiljev,
Maria Elena Amos, Ruedi Häusermann, Vinko Globokar,
César Brie
ojota IV
Music theatre (2000) about shoes/steps/pathways
Münster i. Westfalen
Anna Clementi, voice
Francoise Rivalland, cymbalom
Chico Mello, guitar/clarinet
Michele Lomuto, trombone
Thomas Meixner, percussion
Christophe Dufaux, accordion
Andreas Edelblut, actor
Stephan Lohse, actor
ojota III
Music theatre about shoes, steps, pathways
Goethe-Institut, Rom
As part of the series “MUSICA EXPERIMENTO”
Anna Clementi, voice
Francoise Rivalland, santur
Chico Mello, guitar/clarinet
Michele Lomuto, trombone
Tomas Ondrusek, percussion
Music theatre for two voices (World Premiere)
Bettina Marugg & Eva Nievergelt, voice
Gare du Nord, Basel
Other events: 02, 04, 05, 10 & 12 of December
groundzero theatre, Baden
Théâtre La Fourmi, Luzern
Unter dem Meer (UA)
Opera / Family opera work by Familie Flöz.
theater Basel, Switzerland
Abréviations
Music theatre for 2 Performers
Eva Nievergelt
Bettina Marugg
Institut Francais de Berlin
Hafenbecken I + II
Music for 68 instruments (World Premiere)
In the Kleinhüningen Harbour, Basel
Basel Sinfonietta
Jürg Henneberger, musical direction
Angela Zímmermann, costume
Michael Gööck, lighting design
Enrico Stolzenburg, direction
DER SCHLAG ANS HOFTOR
Chamber music, music theatre and more by Chaya Czernowin,
Silvia Ocougne, Ruedi Häusermann,
Jürg Kienberger, Jean-Luc Hervé,
Hans Wüthrich, Mischa Käser,
Erwin Stache, Walter Zimmermann, Rajesh Mehta and others.
Rümlingen Festival, Switzerland
Klangkunstbühne
International master class with: Lauren Newton, R. Murray Schafer,
Jürg Kienberger, Francoise Rivalland, Georges
Aperghis, Hugo Gretler, Philippe Gaulier,
Jurij A. Vasiljev
21/22/10
Promenade concert (World Premiere)
In the “Hamburger Bahnhof” – Museum of the Present, Berlin
as part of the Walter-Benjamin-Festival
Co Streiff, alto saxophone
Wu Wei Sheng, Chinese mouth organ
Jan Schlegel, electric bass
Christophe Dufaux, accordion
Peter Schärli, trumpet
Hans Koch, bass clarinet
Seth Josel, electric guitar
Christian Gerber, accordion
Anna Stark, violoncello
Sara Hubrich, viola
Mokkapan Phongphit, violin
Josa Gerhard, violin
Marco von Orelli, trumpet
Tomás Ondrusek, percussion
Dominik Dolega, percussion
hohles schleifen, helles aufschmettern
“Sound particle” for 1 mobile percussionist (World Premiere)
Academy of the Arts Berlin
As part of the Döblin Night
»oppositionell, wie ich einmal bin …«
Robyn Schulkowsky, percussionist
25/6
Music for 2 string instruments and window
“Artport” Gallery, Berlin
Josa Gerhard, violin
Benedikt Bindewald, viola
ojota l
“ojota l” (1997) for 1 percussionist and 5 pairs of shoes made of leather, wood & iron
Randspiele Zepernick
landschaft.29/7
Open-air sound-event to accompany the sunrise (World Premiere)
Hitzacker Summer Music
Enrico Stolzenburg, direction
Peter Schärli, trumpet
Hans Koch, saxophone
Adam Weisman, percussion
as well as brass players and marching bands from around the region
Nachtschicht
Open-air procession by 15 composers (World Premiere)
Rümlingen Festival
Performers: musikFABRIK – New Music Ensemble,
Brass bands from around the region
Klangkunstbühne
International master class with: Penelope Wehrli,
Lauren Newton, Fred Frith, Calixto Bieito,
Christiane Pohle and Ruedi Häusermannn
SÜDLICHE AUTOBAHN (premiere)
University of the Arts Berlin in cooperation
with HAU Berlin
A music theatre journey south of Berlin inspired by JULIO CORTÁZAR
(World Premiere)
SÜDLICHE AUTOBAHN (“SOUTHERN MOTORWAY”)
University of the Arts Berlin in collaboration with the HAU Berlin
A music theatre journey south of Berlin
inspired by JULIO CORTÁZAR
(new production)
30/1
for cor anglais, bass flute and percussion (World Premiere)
Ultraschall Festival Berlin
Sophiensaele
Cathy Milliken, oboe
Dietmar Wiesner, flute
Robyn Schulkowsky, percussion
BLICK RICHTUNG SÜDEN
Witten new chamber music festival
Enrico Stolzenburg, direction
Wolfram Kleiner, electronics
Ralf-Werner Kopp, trumpet
Brass group of the Folkwang University of Essen
Firebrigade Band
Neptun Canoo Club and others
Paulinenbrücke
Music Theatre (Premiere)
Stuttgart State Opera Zeitoper
Stefan Schreiber, musical direction
Daniel Ott, Xavier Zuber, direction
Gregor Scholz, set
Thomas Unthan, costume and set assistance
Bodo Gottschalk, lighting
Barbara Tacchini, Xavier Zuber, dramaturgs
Cast:
Michaela Schneider, Tereza Chynavova, Leandra Overmann/ Trine Oien, Tom Lane, Karl-Friedrich Dürr, Boris Burgstaller (Schauspiel Stuttgart)
and members of the Stuttgart State Orchestra
OJOTA IV b
Music theatre about STEPS | SHOES | PATHWAYS (first performance of a new version)
Vidmarhallen Großer Saal der NTG, Bern
Daniel Ott, direction
Ursula Maria Berzborn, set and costume
Ulrich Kerkmann, lighting
Caroline Scholz, vocal training
Performers:
Elena Kakaliagou, Anja Füsti, Megumi Tabuchi,
Eva Burghardt, Lisa Seidel-Kukuk, Virginia Arancio,
Elisabeth de Merode, Julien Paillard, Pascal Viglino,
Tom Lane, Lefteris Veniadis, Andreas Edelblut,
Stephan Lohse
Klangkunstbühne
International master class with: Candice Breitz, César Brie,
Philippe Gaulier, Christina Kubisch, Michael Lentz,
Josef Anton Riedl and Jurij A. Vasiljev
VOR DEM TAG
Collective composition by Lukas Berchtold, Helmut Lemke, Urban Mäder, Daniel Ott, Kirsten Reese, Enrico Stolzenburg (World Premiere)
Festival Rümlingen
For landscape, actor and singer/speaker, loudspeaker and loudspeaker controllers, light-sources and light-controller, wind games and wind player, bull-roarer and “Geisslechlöpfer” (Swiss whip-instrument), “Treichler” and bicycles, alp-horns and accordions, bass clarinet and baritone saxophone, trumpets and trombones.
beschleunigung. lokhalle 9/04
Spatial composition for the Göttingen locomotive hall for 23 mobile musicians (2nd performance)
Linien – ein Festival für Neue Musik
Co Streiff, saxophone
Christophe Dufaux, accordion
Jan Schlegel, bass
Ensemble of Swiss, Berlin und Göttingen musicians
fragment für carona. mit einem gruss an mina
for clarinet, bass clarinet, percussion, electric piano
La Via Lattea 7, Carona (Ticino, CH)
Ensemble Babel, Direction: Olivier Cuendet
mittenDrin
Collective Composition with Kirsten Reese, Erwin Stache, Zoro Babel und Enrico Stolzenburg (World Premiere)
Eisenach and surrounding area
QUERSTRÖMUNG
sound performance for a landscape of the Ruhr with waterfall, 5 percussionists,
2 electric guitars and audio tape (World Premiere)
Daniel Ott, composition and musical directory
Enrico Stolzenburg, direction
Wolfram Kleiner, sound and electronics
Christian Dierstein, Brian Archinal, Miguel Martin, Victor Suarez, Yuriko Sekiguchi, percussionists
Silvia Ocougne, Seth Josel, electric guitars
QUERFORMAT
spacial composition for an oil painting of the landscape of the Ruhr, bass clarinet,
baritone saxophone and audio tape (World Premiere)
Daniel Ott, composition and musical directory
Enrico Stolzenburg, direction
Wolfram Kleiner, sound and electronics
Marcus Weiss, baritone saxophone
Ernesto Molinai, bass clarinet
Wittener Tage für neue Kammermusik (Witten New Chamber Music Festival)
I RACONTI DEL LUCERNARIO
participation as musician
Nunzia Tirelli, direction
Villa Argentina Mendrisio (CH)
DRINNEN VOR ORT
4 landscapes, 4 seasons, 4 sound imaginations
Festival Rümlingen
KLANGKUNSTBÜHNE
international master classes with:
Hans Wüthrich, LIGNA, Constanza Marcas, Bernhard Leitner, Muriel Gerstner and Douglas Irving Repetto
QUERSTRÖMUNG 2 (premiere)
for percussion and audio tape
Christian Dierstein, percussion
Gare du Nord, Basel
QUERSTRÖMUNG 2
for percussion and audio tape
Christian Dierstein, percussion
Konversatorium Bern (CH), Großer Saal
QUERSTRÖMUNG 2
for percussion and audio tape
Christian Dierstein, percussion
Kulturhaus Helferei, Zürich (CH)
FOUNTAIN 16/6
for fontaines, percussion and loudspeaker (UA)
Dörte Siefert, Mai Phuong Tran, Christoph Baathe, Marco Lambertz, percussion
Matthias Meyer, Marcus Thomas, sounddesign
Julia Hundt, Leila Semaan, Franziska Riedmiller, sound-assistenz
Wolfgang Mayer, transports
Founded by Pro Helvetia.
in cooperation with the institute for musik and musicology of the university Hildesheim
KunstFestSpiele Herrenhausen, Hannover
30/1
Spacial installation for Sophiensaele with bass flute, English horn and percussion
Dietmar Wiesner, bass flute
Cathy Milliken, English horn
Robyn Schulkowsky, percussion
Sabine Hilscher, stage design
Judith Klapper, video
Founded by inm. Initiative Neue Musik e.V., Pro Helvatia and Schering Stiftung.
Many thanks to Neuköllner Oper, Radialsystem V, Rundfunkchor Berlin.
Sophiensaele, Berlin
9/5
room-composition for akkordion, e-guitar, percussion, 4 voices, 3 Paetzold-flutes and 4 strings
NUMEN, Cathédrale Lausan
QUERSTRÖMUNG 2
for percussion and audio tape
Christian Dierstein, percussion
Festspielhaus Baden-Baden in Museum Frieder Burda
QUERSTRÖMUNG 2
for percussion and audio tape
Christian Dierstein, percussion
Berliner Festpiele | MaerzMusik 2013, Radialsystem V
QUERSTRÖMUNG 2
for percussion and audio tape
Christian Dierstein, percussion
museum schloss moyland
9/5
room-composition for akkordion, e-guitar, percussion, 4 voices, 3 Paetzold-flutes and 4 strings
NUMEN, Jesuitenkirche Luzern
9/5
room-composition for akkordion, e-guitar, percussion, 4 voices, 3 Paetzold-flutes and 4 strings
NUMEN, Leonhardskirche Basel
9/5
room-composition for akkordion, e-guitar, percussion, 4 voices, 3 Paetzold-flutes and 4 strings
NUMEN, Münster in Bern
Ton & Tal
Valli & Intervalli
Wie klingt die Schweiz? Eine Expedition.
Ensemble Ton&Tal:
Shirley Anne Hofmann (Euphonium, Trompete, Akkordeon), Co Streiff (Altsaxophon), Hans Koch (Sopransaxophon, Bassklarinette), Peter Schärli (Trompete), Balthasar Streiff (Trompete, Alphorn, Büchel), Samuel Stoll (Horn, Alphorn, Büchel), Stephen Menotti (Posaune), Hans Hassler (Akkordeon, Klarinette), Christophe Dufaux (Akkordeon), Marcel Oetiker (Schwyzerörgeli), Christoph Brunner (Schlagzeug), Christian Dierstein (Schlagzeug), Benjamin Brodbeck (Schlagzeug)
Komponist/innen:
Annette Schmucki, Urban Mäder & Daniel Ott (ganze Tour) – Mario Pagliarani (Chiasso), Michael Riessler (Altdorf) & Jonas Kocher (Wasen i.E.) – sowie Ruedi Häusermann, Heinz Holliger, Andreas Schett, François Sarhan, Wael Sami Elkholy, Benjamin Brodbeck & Siegfried Friedrich (Musik für eine Jahrmarktorgel)
Festival Rümlingen – Airolo – Altdorf *Alpentöne* – Luzern – Alpnach – Schüpfheim – Wasen i.E. – Langenthal – Rümlingen – Augst
Isolde
a piece of Richard Maxwell (UA)
direction: Richard Maxwell, music: Daniel Ott, stage design: Sascha von Riel, costume design: Romy Springsguth, dramaturgy: Stephanie Gräve
Theater Basel
9/5
room-composition for akkordion, e-guitar, percussion, 4 voices, 3 Paetzold-flutes and 4 strings
NUMEN, Grossmünster Zürich
6/7 – gare du sud
ensemble kontur basel
Remo Schnyder, Saxophon | Karoline Öhmann, Cello | José Navarro, E-Gitarre
Mit Werken von Alex Buess, Thomas Lauk, Daniel Ott und Rico Gubler und Texten von Ruth Schweikert, Jürgen Theobaldy und Guy Krneta
IGNM Basel – Gare Du Nord, Basel
6/7 – gare du sud
ensemble kontur basel
Remo Schnyder, saxophone | Karoline Öhmann, cello | José Navarro, electric guitar
Kontrapunkt |Seven musicl and literary commentaries on current events
Dampfzentrale Bern
1/6 – wasserturm I – III
for woodblocks und brassinstruments (UA)
Singuhr-projects
PULSE-AUSSEN:stadtmusik, Wasserturmquartier, Berlin
6/7 – gare du sud
ensemble kontur basel
Remo Schnyder, saxophone | Karoline Öhmann, cello | José Navarro, electric guitar
Kontrapunkt | Seven musicl and literary commentaries on current events
Palazzo Liestal
Metabolic Office Battle (MOB)
with Manos Tsangaris and Daniel Ott
Schwindel der WIrklichkeit
Akademie der Künste Berlin, Hanseatenweg 10
ojota 1 (New version)
for 5 pairs of shoes (1997/2014)
Christian Dierstein, percussion
zwielicht.stromaufwärts for Ado Müller
Festival Rümlingen 2014
hohles schleifen, helles aufschmettern
Robyn Schulkowsky, drums and percussion | Joey Baron, drums and percussion | Christian Tschuggnall (Guest), drums und percussion
KONTRAKLANG
Heimathafen Neukölln, Berlin
QUERSTRÖMUNG 2
for percussion and audio tape
Christian Dierstein, percussion
Künstlerhaus Boswil (CH), Alte Kirche
20/5 fragmentos
for trumpet and steeldrums
Robyn Schulkowsky, steeldrums | Reinhold Friedrich, trumpet
TonalÁtonal 4/2015
Auditorium Altena, Goethe-Institut Mexiko, Mexico D.F.
20/5 fragmentos
Auditorum INDEX, Museo Universitario Arte Contemporanéo, Mexico D.F.
24/5 Sonnenuntergang (premiere)
landscape composition
for trumpet, hunting horn and wind section
Ralf-Werner Kopp, trumpet | Svenja Trosin, horn
members of the hunting horn wind section Hercynia and the trumbone choir Quedlinburg
Gondelteich Friedrichsbrunn/ Thale (Harz)
6/7 – gare du sud
ensemble kontur basel
Remo Schnyder, Saxophon | Karoline Öhmann, Cello | José Navarro, E-Gitarre
Kontrapunkt | 7 musikalische und literarische Kommentare zum Zeitgeschehen
Musikpodium Zürich
Phantom Synchron – Soundtrack Weimar
musicians and associations and groups from Weimar and around
Daniel Ott, Sebastian Quack, Kirsten Reese, Enrico Stolzenburg
Kunstfest Weimar
Inner City of Weimar
Kreise ziehen – Kanons aus sieben Jahrhunderten
musicians and associations and groups from Weimar and around
Daniel Ott, Sebastian Quack, Kirsten Reese, Enrico Stolzenburg
Kunstfest Weimar
Inner City of Weimar
STADT.LAND.TRAM
landscape composition for a frontier
Daniel Ott,composition | Thomas Peter, electronics | Enrico Stolzenburg, direction
Contrapunkt Chor, students of the Musikhochschulen FHNW Hochschule für Musik Basel
ZEITRÄUME BASEL bIennale for new music and architecture 2015
Meeting point: Zoo Basel, main entrance, admission 5.00 – 5.15 h
KlangKunstBühne
Workshops with Alvin Curran, Gob Squad, Gintersdorf/Klaßen, Clemens Sienknecht und Ursula Biemann. Lectures with Josephine Ann Endicott, Rabih Mroué and about Vivienne Newport.
University of Arts Berlin
9/5-6/3 (premiere)
composition for space
Ensemble Improcontra | Yvonne Troxler, piano | Egidius Streiff, violine | Sylwia Zytynska, percussion
musicschool northsouth Luzern
9/5-6/3
composition for space
Ensemble Improcontra | Yvonne Troxler, piano | Egidius Streiff, violine | Sylwia Zytynska, percussion
music akademie basel
9/5-6/3
composition for space
Ensemble Improcontra | Yvonne Troxler, piano | Egidius Streiff, violine | Sylwia Zytynska, percussion
new york symphony space
OmU
munich biennale – festival of new music theatre works
artistic direction: Daniel Ott and Manos Tsangaris
munich
zampugn
for 4 players (1987)
festival rümlingen 2016
church Rümlingen
Sampuogn-Schlag 9 (premiere) landscape composition
with singers from different regional choirs, the Treichler of the Greiflervereinigung Ingenbohl-Brunnen and students of the Hochschule für Musik Basel (percussion-class of Christian Dierstein)
Daniel Ott / Enrico Stolzenburg (2016)
festival rümlingen 2016
at the hillside with a view towards Kilchberg
Le Rocher du Bock. Fortress Europe. A panorama.
Until 1867, the fortress of Luxembourg was the “Gibraltar of the North”. Daniel Ott, Enrico Stolzenburg and hundreds of young UGDA musicians are transforming the Bockfelsen into a sounding panorama in the festival rainy days, a symbol of this powerful Europe, whose coast is currently struggling for hundreds of thousands, seeking refuge or dying on its way there. The audience is in the court of the Neumünster Abbey, wind orchestral ensemble surrounds the Bockfelsen, the Petrusse becomes a sea, a tumultuous sound contrasts with small movements and sound actions from the casemates, from the top, from the gardens, from the river. Numerous drummers bring the local materials to the sound, loudspeakers open up an association area of demonstrations in Germany, Greece, Ceuta and Melilla over police suits, muezzin calls and water noises up to Article 14 of the Universal Declaration of Human Rights in Morse Code: “Everyone has the right to To seek asylum in other countries before persecution. ” What is Europe today? An “island of the blessed” or a rescue boat?
landscape composition
Daniel Ott / Enrico Stolzenburg.
Le Rocher du Bock, Luxemburg
Ausflug ins Gebirge
music for a space
Daniel Ott / Manos Tsangaris
Collegium Novum Zürich
Kantorei Niederurnen (musical production: David Kobelt)
Berat Aliji, Arjan Arifi, Muhamed Tashi | torklift truck
Niederurnen
Stadthaus I-III, aussen statt innen (premiere)
concept and composing: Daniel Ott
concept, direction, electronics: Enrico Stolzenburg
Musikkollegium Winterthur, direction Thomas Zehetmair
With Stadtmusik Winterthur (direction Fredi Olbrecht), Musikschule Prova, Konservatorium Winterthur and Jugendmusikschule Winterthur and neighbourhood
Winterthur
Mittelland ist abgebrannt – eine West-Ost-Passage (UA)
landscape compostion
composing: Daniel Ott
direction: Enrico Stolzenburg
dramatic adviser: Malte Ubenauf
Niedersächsischen Musiktage
Mittellandkanal
PRIVATE MATTER
munich biennale – festival of new music theater
artistic direction: Daniel Ott and Manos Tsangaris
munich
FESTIVAL RÜMLINGEN
In Szene – 7 landscape operas
With premiers of: Peter Ablinger, Mauro Hertig, Ruedi Häusermann (SE), Clara Iannotta, Mischa Käser, Barblina Meierhans and Manos Tsangaris.
Rümlingen
Spatial composition for 2 saxophones, 3 guitars,
2 double basses and 4 percussionists.
World Premiere: Lübeck, 1999
DIE SIEBEN LEBEN DES MAXIMILIAN
Festival for actuell musiktheater at seven places
Artistic direction: Daniel Ott, Manos Tsangaris
From Lienz in Osttirol over Stams, Schwaz, Hall, Landeck, Altfinstermünz to Insbruck.
FIN AL CUNFIN (UA)
Concept and composing: Daniel Ott
Direction, concept, electronics: Enrico Stolzenburg
Texts: Der Ewige Landfriede, Glurnser Lied, Konrad Celtis
Conduction and musical rehearsing : Daniel Waldegger, Duri Janett, Maria Pardeller, Cla Duri Janett-Vital, Pasquale Bonfitto, Katharina Mayer, Jon Flurin Kienz, Remo Schnyder
With: Ils Fränzlis da Tschlin, Musikkapelle Nauders, Società da Musica Tschlin, Cor masdà Tschlin, Società da Musica Ramosch, Cor masdà Valsot, Chor Nauders / Reschen, Freiwillige Feuerwehr Nauders, Oberländer Landsturm Silz, Bergrettung Nauders, Jungkrampusse Nauders, Jägerschaft Nauders
Alwin Chemelli (Banner)
Altfinstermünz
as part of DIE SIEBEN LEBEN DES MAXIMILIAN
KAMMEN (UA)
Composition, concept: Daniel Ott
Trondheim
CHAVORGIA (UA)
for clarinet, accordion and brass instruments
With: Musikkapelle Nauders, Società da Musica Ramosch, Musica Condordia Ardez, clarinet: Domenic Janett, accordion: Hans Hassler
FESTIVAL NEUE MUSIK RÜMLINGEN
FESTIVAL NEUE MUSIK RÜMLINGEN
A L’UR DA L’EN “INNLAND-AUsLAND”
“Echo” in the church of Rümlingen
AUSSEN STADT INNEN RÄUME (UA)
concept and composing: Daniel Ott, direction: Enrico Stolzenburg
Sinfonieorchester Münster, Musikhochschule Münster and Westfälische Schule für Musik
In the context of 100 years of Sinfonieorchester Münster
REPOSITORY OF HEARING: ECHO, MOUNTAINS; GROTTOS
Daniel Ott: Fin al Cunfin (Auszüge, 2019, DE)
Saxophone: Remo Schnyder
Talk, moderator: Julia Gerlach, in English language
Akademie der Künste Berlin
B free (UA) A music-theatre-production by Theater Marabu and fringe ensemble Composition and musical direction:: Daniel Ott Artistic direction: Frank Heuel, Tina Jücker, Claus Overkamp Direction wind ensemble: Paul Hübner Equipement: Annika Ley Performance, music: Paul Hübner (trumbone), Arturo Portugal (drums), David Fischer, Justine Hauer, Julia Hoffstaedter, Bettina Marugg, Andreas Meidinger Further contributers: Melina Delpho, Beate Fuhrmann, Paule Hellmann, Ralph Hutter, Stina Jahn, Carlotta Josephs, Birgit Klein, Joshua Koch, Ulla Kuipers, Carlotta Laumann, Morgane Liebe, Andreas Limbach, Jey Lo-Ciudice, Nele Marggraf, Arnulf Marquardt-Kuron, Anette Mock, Paulina Mock, Brigitte Nellinger, Sonja Nellinger, Alex Preis, Sophia Reifenrath, Milena Rheindorf, Friedhelm Roth-Lange, Susanne Wagners, Anne Wichtmann, Patricia Wolf as well as Jagdhornbläser der Jägerschaft Bonn e.V. under the direction of Hans Peter Passmann A production under BTHVN20 Kottenforst, Bonnt |
6/7 gare du sud, 2020 (UA) Version 2020, for bassclarinette, harpe, violine & violoncello ensemble proton bern, conductor: Matthias Kuhn INMM Darmstadt – Tagung 2021 – online conzert |
Schwesterpark Fragmente (UA) schwesternparkmusik Permeable intervention for trumpet, steel drums, voices ad libitum Wittener Tage für Neue Kammermusik Pferdebachstraße, Schwesternpark, Witten |
B free A music-theatre-production by Theater Marabu and fringe ensemble Composition and musical direction: Daniel Ott Artistic direction: Frank Heuel, Tina Jücker, Claus Overkamp Direction wind ensemble: Paul Hübner Equipement: Annika Ley Performance, music: Paul Hübner (trumbone), Arturo Portugal (drums), David Fischer, Justine Hauer, Julia Hoffstaedter, Bettina Marugg, Andreas Meidinger Further contributers: Melina Delpho, Beate Fuhrmann, Paule Hellmann, Ralph Hutter, Stina Jahn, Carlotta Josephs, Birgit Klein, Joshua Koch, Ulla Kuipers, Carlotta Laumann, Morgane Liebe, Andreas Limbach, Jey Lo-Ciudice, Nele Marggraf, Arnulf Marquardt-Kuron, Anette Mock, Paulina Mock, Brigitte Nellinger, Sonja Nellinger, Alex Preis, Sophia Reifenrath, Milena Rheindorf, Friedhelm Roth-Lange, Susanne Wagners, Anne Wichtmann, Patricia Wolf as well as Jagdhornbläser der Jägerschaft Bonn e.V. under the direction of Hans Peter Passmann A production under BTHVN20 Kottenforst, Bonn |
SEESTÜCK (UA) after Robert Walser Composition and musical direction: Daniel Ott Elias Menzi, dulcimer; Töbi Tobler, dulcimer; Goran Kovacevic, accordion; Paul Hübner, trumpet; André Meier, trumpet; Till Künkler, trombone Wind and percussion players of the Brass Band & Jugendmusik Rehetobel Rehearsal: Marianne Zähner, Cathrin Züst, Benjamin Markl Admission to the Robert Walser Walk: 10.00 to 13.00 in Wald/Appenzell Ausserrhoden (AR) // The walk leads via Rehetobel to Heiden, SEESTÜCK takes place between Kaienspitz and Heiden. A production as part of the Rümlingen Festival from 16 – 19 September Appenzellerland |
DONAU / RAUSCHEN Transit & Echo (UA) Landscape composition by Daniel Ott, concept, composition and Enrico Stolzenburg, concept, feeds. Rehearsal Christian Dierstein, Philipp Eschbach, Christian Feierabend, Paul Hübner, Jessica Metzler, Daniel Ott, Guiseppe Porgo, Florian Reis, Remo Schnyder, Alexander Wassylenko Accordion Marie Bridonneau, Hugo Degerro, David Maksimović, Inga Piwowarska, Dannong Wu, Tizia Zimmermann; Electric guitar Thilo Ruck, Christian Wernicke; Percussion Ying Chen Chuang, Christian Dierstein, Alexandre Ferreira Silva, Joe Kenney, Noah Rosen, Mikołaj Rytowski, Petro Tavares, Santiago Villar; Trombone Stephen Menotti, Peter Stelzl, Gerhard Wolf; Saxophone Salvatore Castellano, Miguel Rodrigo Fernandes de la Fuente, Krisztian Notheisz, Pattranant Pliensakul, Eguzki Irusta Salles, Remo Schnyder, Kristof Toth, Marcus Weiss; Trumpet Domokos Horváth, Mátyás Fieszl, Paul Hübner, Lutz Mandler, László Reményi, Dávid Szalkay, Anita Tóth Musikverein Aufen e.V. Conductor Florian Reis, Musikverein Grüningen e.V. Conductor Guiseppe Porgo, Musikkapelle Neudingen e.V. Conductor Jessica Metzler, Feuerwehrkapelle Pfohren e.V. Conductor Alexander Wassylenko, Posaunenchor Ev. Kirche Conductor Philipp Eschbach, Stadtkapelle Donaueschingen 1827 e.V. Conductor Christian Feierabend Donaueschingener Musiktage Rathausplatz & Donauquelle, Donaueschingen |
16/1 – Sound action for the stalactite machine
Based on the sound and rhythm of the falling drops of Bogomir Ecker’s stalactite machine in the Hamburger Kunsthalle, Daniel Ott develops musical interventions into an imaginary musical “stalactite machine” in which the passage of time is made tangible.
Jonathan Shapiro (drums)
Commissioned by the Hamburger Kunsthalle and supported by Pro Helvetia
Hamburger Kunsthalle – FUTURA
6/2 – Sound action for the stalactite machine
Based on the sound and rhythm of the falling drops of Bogomir Ecker’s stalactite machine in the Hamburger Kunsthalle, Daniel Ott develops musical interventions into an imaginary musical “stalactite machine” in which the passage of time is made tangible.
John Eckhard (double bass)
Commissioned by the Hamburger Kunsthalle and supported by Pro Helvetia
Hamburger Kunsthalle – FUTURA
27/2 – Sound action for the stalactite machine
Based on the sound and rhythm of the falling drops of Bogomir Ecker’s stalactite machine in the Hamburger Kunsthalle, Daniel Ott develops musical interventions into an imaginary musical “stalactite machine” in which the passage of time is made tangible.
Jana de Troyer (saxophon)
Commissioned by the Hamburger Kunsthalle and supported by Pro Helvetia
Hamburger Kunsthalle – FUTURA
27/3 – Sound action for the stalactite machine
Based on the sound and rhythm of the falling drops of Bogomir Ecker’s stalactite machine in the Hamburger Kunsthalle, Daniel Ott develops musical interventions into an imaginary musical “stalactite machine” in which the passage of time is made tangible.
Thilo Ruck (e-guitar)
Commissioned by the Hamburger Kunsthalle and supported by Pro Helvetia
Hamburger Kunsthalle – FUTURA
10/4 – Sound action for the stalactite machine
Based on the sound and rhythm of the falling drops of Bogomir Ecker’s Dripstone Machine in the Hamburger Kunsthalle, Daniel Ott develops various sound actions. For the duration of the exhibition, short interventions by various instruments (drums, double bass, saxophone, electric guitar) will be heard on various Sundays at 10:30 a.m., which on the last day of the exhibition will condense into an imaginary musical “stalactite machine” in which the passing of time over a longer period of time can be experienced.
Jana de Troyer (saxophon) / Jonathan Shapiro (drums) / Thilo Ruck (e-guitar) / Moritz Baerens (double bass)
Commissioned by the Hamburger Kunsthalle and supported by Pro Helvetia
Hamburger Kunsthalle – FUTURA
Schwesternpark Fragmente (UA)
schwesternparkmusik
Permeable intervention for trumpet, steel drums, voices ad libitum
Wittener Tage für Neue Kammermusik
Pferdebachstraße, Schwesternpark, Witten
Berlin westhafen – umschlagplatz klang (UA)
hafenbecken I+II
Composition and artistic direction: Daniel Ott; Direction: Enrico Stolzenburg; musical direction: Jonathan Stockhammerl; musicians from KNM Berlin, Ensemble Kaleidoskop, Ensemble LUX:NM, Ensemble Mosaik, Sonar Quartet, ZAFRAAN Ensemble, Ensemble Adapter and guests.
A production of KULTURKONTAKTE e.V., production management: kultkom
Supported by the Hauptstadtkulturfonds Berlin, Pro Helvetia and inm berlin in cooperation with BEHALA.
Westhafen Berlin
Zusammen Fluss (UA)
Daniel Ott / Enrico Stolzenburg
Permanent installation – Acoustic sculpture
A production of the Donaueschinger Musiktage 2022
Donaueschingen | Donausprung